View notes - the thematic paradigm from english 1002 at temple university individual portrayed as a teacher, lawyer, or a family man the official hero is characterized by adulthood concluding his. The thematic paradigm paradigms the power of a paradigm before we can really begin talking about change and solving problems, we need to understand what a paradigm is and how to make a paradigm shift paradigm is a greek word it was originally a scientific term, and is more commonly used today to mean a model, theory, perception, assumption, or frame of reference. Analysis of the thematic paradigm essay - in the article “the thematic paradigm” exerted from his book, a certain tendency of the hollywood cinema, robert ray provides a description of the two types of heroes depicted in american film: the outlaw hero and the official hero.
R o b e r t b r a y the thematic paradigm the dominant tradition of american cinema consistently found ways to overcome dichotomies often, the movies' reconciliatory pattern concentrated on a single character magically embodying diametrically opposite traits.
Healing hospital: a daring paradigm karen perion grand canyon university healing hospital: a daring paradigm a theme that is emerging in the healthcare setting is that of a healing hospital patients and families can feel less stressed and know they are being taken care of by dedicated employees. The thematic paradigm 3 90 in contrast to the outlaw heroes, the official heroes were preeminently worldly, comfortable in society, and willing to undertake even those public duties demanding personal sacrifice political figures, particularly washington and lincoln, provided the principal examples. Robert b ray states in his article “the thematic paradigm” that in american cinema there are two main hero types used the official hero and the outlaw hero the two have the same general moral set, the idea of right defeating wrong, but otherwise they are each other’s opposite.
In his article, “the thematic paradigm”, author robert b ray describes how american cinema, has showed the same themes that the american people have come to value ray defines this by talking about the symbol of american film, the hero, and the two personas that hero takes shape in the movies.
The thematic paradigm by: robert b ray presented by chase minnear several dichotomies exist in the representation of the hero and the outlaw such as the outlaw is independent and values freedom from entanglements while the hero is represented often times belives in community action.
Robert b ray states in his article “the thematic paradigm” that in american cinema there are two main hero types used the official hero and the outlaw hero the two have the same general moral set, the idea of right defeating wrong, but otherwise they are each other’s opposite the first hero is the “outlaw hero. In the thematic paradigm, university of florida professor of film studies, robert ray, defines two types of heroes pervading american films, the outlaw hero and the official hero often the two types are merged in a reconciliatory pattern, he argues.